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Thomas Eakins
Biglin Brother-s Match
mk108
1873-1874
Oil painting
61x91.5cm
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Thomas Eakins
Landscape of Biglin
mk108
1873-1874
Oil painting
61.5x40.5cm
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Thomas Eakins
Landscape
mk108
1874
Oil painting
35.9x44.8cm
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Thomas Eakins
Landscape
MK108
1874
Oil painting
33x76cm
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Thomas Eakins
Landscape
mk108
1874
61.5x50cm
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Thomas Eakins
Landscape
mk108
1874
61x91.5cm
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Thomas Eakins
The Study of Baseball
kr01
1875
27x33cm
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Thomas Eakins
Samuel Gros-s Operation of Clinical
mk108
1875
Oil on canvas
66x56cm
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Thomas Eakins
Dr. Brinton
mk108
1876
Oil on canvas
205.5x152.5cm
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Thomas Eakins
Chess Player
mk108
1876
30x42.5cm
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Thomas Eakins
The Baby play on the floor
mk108
1876
Oil on canvas
82x122cm
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Thomas Eakins
Advances
mk108
1878
51x61cm
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Thomas Eakins
The William is Carving his goddiness
mk108
1876-1877
51x66cm
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Thomas Eakins
Seventy yeas ago
mk108
1877
39.5x28cm
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Thomas Eakins
Fifty years ago
mk108
1877
24x15.5cm
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Thomas Eakins
Dr. Brinton-s Wife
mk108
1878
Oil on canvas
61.5x51cm
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Thomas Eakins
The Dance Curriculum
mk108
1878
45.5x57cm
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Thomas Eakins
May morning-s park
mk108
1879-1880
Oil on canvas
60x91.5cm
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Thomas Eakins
Crucify
mk108
1880
243.5x137cm
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Thomas Eakins
Dirge
mk108
1881
114x82.5cm
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| Thomas Eakins
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American Realist Painter, 1844-1916.
Thomas Cowperthwait Eakins (July 25, 1844 ?C June 25, 1916) was a realist painter, photographer, sculptor, and fine arts educator. He is widely acknowledged to be one of the most important artists in American art history.
For the length of his professional career, from the early 1870s until his health began to fail some forty years later, Eakins worked exactingly from life, choosing as his subject the people of his hometown of Philadelphia. He painted several hundred portraits, usually of friends, family members, or prominent people in the arts, sciences, medicine, and clergy. Taken en masse, the portraits offer an overview of the intellectual life of Philadelphia in the late 19th and early 20th centuries; individually, they are incisive depictions of thinking persons. As well, Eakins produced a number of large paintings which brought the portrait out of the drawing room and into the offices, streets, parks, rivers, arenas, and surgical amphitheaters of his city. These active outdoor venues allowed him to paint the subject which most inspired him: the nude or lightly clad figure in motion. In the process he could model the forms of the body in full sunlight, and create images of deep space utilizing his studies in perspective.
No less important in Eakins' life was his work as a teacher. As an instructor he was a highly influential presence in American art. The difficulties which beset him as an artist seeking to paint the portrait and figure realistically were paralleled and even amplified in his career as an educator, where behavioral and sexual scandals truncated his success and damaged his reputation.
Eakins also took a keen interest in the new technologies of motion photography, a field in which he is now seen as an innovator. Eakins was a controversial figure whose work received little by way of official recognition during his lifetime. Since his death, he has been celebrated by American art historians as "the strongest, most profound realist in nineteenth-and early-twentieth-century American art".
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